Jesus Christ Superstar Live Vs Other Versions Review
The live televised musical spectacle was resurrected on Easter Dominicus, when NBC staged Andrew Lloyd Webber and Tim Rice'south 1970'south Biblical rock opera Jesus Christ Superstar Live In Concert that centres around the terminal days of Christ.
These live musical events accept been striking or miss in the by, but after the casting was revealed, it was articulate this production was going to deliver and and so some. Staged at the Marcy Armory in Williamsburg, Brooklyn, information technology was an inspired production, with a mix of pop stars and Broadway veterans who had the vocal chops to transport the audiences at home into the theatre.
Making his stage debut playing the titular role of Jesus, R&B crooner John Fable made for an emotionally affecting Christ, while singer-songwriter and Tony nominated Sara Bareilles' silken vocals were a perfect fit for Mary Magdalene. While it'south that Jesus is the pb, Brandon Victor Dixon who plays Judas Iscariot often ran the hazard of running away with the bear witness entirely. Coming off his office of playing Aaron Burr in the musical phenomenon Hamilton, Dixon was entirely at ease doing all kinds of song calisthenics.
Just as they did with in 2016's Hairspray, NBC utilized the live audience to great upshot, with many of the actor's breaking the fourth wall and acknowledging the oversupply in front of them. It too had the advantage of giving the viewers at dwelling house intimate close-ups of all the numbers that helped y'all emotionally connect more than the folks in the cheap seats ever get to.
From the very offset, it was articulate this production was a far weep from the original 1971 production of Jesus Christ Superstar. With a leather clad ensemble, a scaffolding-covered stage that looked straight of our Rent's East Hamlet and priests clad in Matrix-esque trench coats, it was a bold yet highly entertaining divergence with plenty of rock'n'coil spirit.
From Fable's offset number 'What's The Buzz' to Dixon's 'Damned for All Time', the show pulsed on electrifying rock numbers and enough of funk. In addition the leads, the residual of the cast was rounded out by some stellar stage talent including the earth-shaking baritone of Norm Lewis (Porgy and Bess, The Phantom of the Opera) playing the function of the high priest Caiaphas and Jin Ha (some other Hamilton album) playing the priest Annas providing an amazing countertenor to Lewis' thunderous vocals on 'This Jesus Must Die'.
The two villains of the Jesus Christ Superstar Alive get to have the most fun, starting with TV and theatre actor Ben Daniels every bit an extremely dapper Pontius Pilate who sets the phase for none other than shock rock legend Alice Cooper as Male monarch Herod. Emerging in a flame-covered suit, Cooper elicits a prolonged adulation before cuing the orchestra and starting into 'King Herod's Song': "And now I sympathise you're god…wow", before the whole affair turns into a hilarious vaudeville number, with Cooper being joined past host of cabaret showgirls. Information technology's truly a slice of inspired casting as Cooper kicks into rock star way shouting out "Hello Jerusalem!", similar he'due south paying regional lip service on his stadium tour through the holy land.
Shortly his grinning fades and Cooper turns into his menacing self, followed by a microphone drop and maxim goodbye to his adoring fans, we er, subjects.
With a two-hour-and-20-minute running time, there's a lot of ground to comprehend and while the big ensemble numbers were impressive in terms of calibration and choreography, information technology was the solo numbers that became standouts.
Dixon gets ample opportunity to show off his chops, from the opening number, 'Sky On Their Minds', to the intensely charged duet with Legend 'The Last Supper' to his triumphant render in all his glittered glory on 'Superstar'. As for Fable, he drew upon years of balladeering to evangelize some hair-raising moments, including 'Gethsemane (I But Desire to Say)'.
The prove ends on the almost visually striking moment with Fable on the cross, a stark silhouette with erratic jazz getting increasingly frenzied as the cross recedes into the darkness and the set panels come up together again with only a brilliant beacon of lite remaining.
Andrew Lloyd Webber'south career-spanning 4CD deluxe edition of Unmasked: The Platinum Collection is available to purchase here.
Source: https://www.udiscovermusic.com/stories/jesus-christ-superstar-live-review/
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